Especially with Elektra, because I'm doing a lot of the covers for the new version of Elektra.

After that I jumped, especially being in art school, to the illustrators.

But there's still an avenue for smaller comics and personal expression

It's interesting, because in the corporate stuff there's a dichotomy there, depending on the creator. Even what, in essence, may be a very safe corporate approach, there is some stuff that is allowed to be pushed

So cartooning, for me, is an honorable thing. It's pushing the envelope. It's the truth of something through exaggeration

So there's kind of a simultaneous aspect to pushing the boundaries, and being very safe

So much of Jaws was amazing because the mind filled in what was missing.