It's interesting, because in the corporate stuff there's a dichotomy there, depending on the creator. Even what, in essence, may be a very safe corporate approach, there is some stuff that is allowed to be pushed

So I look at a lot of stuff now that I did and some of it looks tame to me, but my interest in terms of what I want to say with it is a little different

Especially with Elektra, because I'm doing a lot of the covers for the new version of Elektra.

I still love a lot of the guys who just paint

But if I really want to produce my own work and tell stories, then I will

Like Godfather, you look at a movie like that, or something that James Gray has directed, a film with minimal or pin lighting as opposed to everything being lit bright and flat, where everything is evident

So much of Jaws was amazing because the mind filled in what was missing.