A character on screen that's the 'good guy' or the 'bad guy,' they're never interesting. There's got to be an internal struggle, the duality is important to find.

In movies we tend make things black and white: you're either this, or you're that.

I come from a family of pacifists, so it's not like I was going to join the war. Sweden is not like the States or England where you might get sent to Afghanistan next month.

I feel like I'm the best actor on the planet and I also feel like I'm a fraud. I think hubris comes from insecurity. Confidence comes in a more rooted sense; part of being confident is being able to say, "I can be really shitty," and to accept that. But also not to crumble under it.

I miss being in my home country; here, I'm always a foreigner. America is, of course, built of people who are not from here. But going home, even just landing at Arlanda, the Stockholm airport, I think, "This is where I'm from. These people are my people."

Acting was always there, it's true. But for a long time, in my teenage years, I wasn't sure about it - not because I didn't like it, but I didn't want people to think I hadn't earned it.

I'm constantly embarrassed at the level of attention actors get and the level of money that we get. It's completely disproportionate.