Vision connects you. But it also separates you. In my work, and my life, I feel a desire to merge. Not in terms of losing my own identity... but theres a feeling that life is interconnected, that theres life in stones and rocks and trees and dirt, like there is in us.

The fundamental aspect of video is not the image, even though you can stand in amazement at what can be done electronically, how images can be manipulated and the really extraordinary creative possibilities. For me the essential basis of video is the movement - something that exists at the moment and changes in the next moment.

I hope we'll be able to see that in our lifetime: the end of the camera! When I'm in Paris, I'll buy a big bottle of champagne and I'll save it for that day, for the day when they'll be no more camera.

There is an invisible world out there, and we are living in it.

Video artists being at the low end of the totem pole economically, one of the ways we survive is to go around showing work and giving these talks.

I think we're in an age where artists really have an incredible range of materials at their command now. They can use almost anything from household items - Jackson Pollock used house paint - to, you know, advanced computer systems, to good old oil paint and acrylic paint.

It only takes a second for an impression to become a vision.