The only thing better than going to Pitcairn in the first place, is going again.

For me, the experience of making the show is very much like being in a novel. I enjoy getting the new script. I make a cup of tea and I read it the same way I would read a book, with the same amount of joy.

If you were to ask my agent, they would confirm this: I'm drawn to locations. What really drew me to 'The 4400,' aside from the fact that it was sci-fi, was the fact that it was shot in the city of my dreams: Vancouver.

To me, if I'm reading a fantastic story or I go on a nice first date and I have a wonderful time, I'm not gonna complain because it didn't work out. I'm gonna go on a second date.

Some of the best auditions I've ever had have been when my agent called and said, "They want you 20 minutes ago, in an office in Century City, to see you for something." It's actually sometimes a really good thing. I don't have time to second-guess myself, I don't have time to overthink things, and I don't have time to get bogged down in stuff. I'm not sitting there thinking for a week and a half, before I'm supposed to go in front of a network president to do something. That just gives you time to be nervous.

Everything about acting is a challenge. I'm self-conscious. You couldn't do anything to cause me to be more self-conscious than to stick a camera in my face and have 60 people standing behind it, waiting for me to perform.

The kind of people that love 'The Rocketeer' are the kind of people that love good storytelling and innocence and a better world, so to speak, so they're almost always nice people to bump into.