For me, the experience of making the show is very much like being in a novel. I enjoy getting the new script. I make a cup of tea and I read it the same way I would read a book, with the same amount of joy.

The mood was terrible. You could see it in everybody's eyes. The body language was just defeated. When they put me in I was hoping I could give us some energy and try to bring us back.

If you were to ask my agent, they would confirm this: I'm drawn to locations. What really drew me to 'The 4400,' aside from the fact that it was sci-fi, was the fact that it was shot in the city of my dreams: Vancouver.

I think it would be lovely to see some features on a disc of 'The Rocketeer,' with some reminiscing. I think that would be dynamite.

The network wants you to make a thing that's just a stand-alone episode, so you never get any character or continuity. This is one of the ways in which television can actually be good, and even better than the movies, because it gives you a chance to tell a long story.

Some of the best auditions I've ever had have been when my agent called and said, 'They want you 20 minutes ago, in an office in Century City, to see you for something.' I'm not sitting there thinking for a week and a half, before I'm supposed to go in front of a network president to do something. That just gives you time to be nervous.

If I ever get married, I'd like to pick a place so hard to reach that only a few people would turn up-like the North Pole. A destination wedding weeds out all the people who might potentially get their noses out of joint, so only the troupers would be there.