Now I would say at any given moment in American life, there are probably 45 poets in airplanes vectoring across the country heading towards...I don't know if anyone's reading it, but poets are still flying around the country going from lectern to lectern.That circuitry has become very well-established.
Billy CollinsI'm a line-maker. I think that's what makes poets different from prose-writers. That's the main way. We think, not just in sentences the way prose writers do but also in lines. So we're doing these two things at the same time.
Billy CollinsI stared up at the ebbing quarter moon and the stars scattered like a handful of salt across the faraway sky.
Billy CollinsI see all of us reading ourselves away from ourselves, straining in circles of light to find more light until the line of words becomes a trail of crumbs that we follow across a page of fresh snow.
Billy CollinsI was a pretty happy kid, I had to fake it. I had to get into this miserable character before I wrote poems.
Billy CollinsI started moving away from poets like Wallace Stevens and Hart Crane and started reading poets like, again, Karl Shapiro, Howard Nemerov, Philip Larkin, and the British poets who were imported through that important anthology put together by Alvarez - and those would include Thom Gunn and Ted Hughes. And I think these poets gave me assurance that there were other ways to write besides the rather involuted style of high modernism whose high priests were Pound, Eliot and Stevens, and Crane perhaps.
Billy Collins