It's a simple formula for me now, I don't play any song I don't want to play.

The difficulty, if you're in the world - and this is for anybody - is the eventual disappointment that comes with having to meet other versions of reality. Imposed systems that ask you to compromise or sacrifice things which you consider holy or sacred.

I've rarely done anything that's overtly self-destructive without consciously knowing what I'm doing. And then of course, the astute journalist jumps forward and says, "Why are you being calculated?" Calculated seems to assume a sinister intent. My intent is always for artistic effect.

I really think it's a white, bourgeois idea to pretend that you don't have influences. It seems to be the obsession strictly of white people in college.

I'm sort of like a lame, single guy in a red sports car.

Actually, I was having dinner with Michael [Stipe, of R.E.M.] when our second album went platinum, which up until that point was the highest success we'd ever had. And he turned to me during dinner and said, 'Welcome to the deep waters, kid.' I'll never forget that.

I was raised a Christian, but I wouldn't call myself a Christian now. I think when I was younger it was easier to focus on the negative, nihilist vision... this is sort of picking up on the other half of the body, which is God and white light.