It was shocking to see Nirvana play, because it was like, "Here's this little guy with a monster-guitar sound." And it was heavier than Black Sabbath. That was shocking.

Most of my arguments with musicians through the years have had more to do with their attitude about music, or their attitude about their own lives, or their personal responsibility. Music has never really been the big centerpiece of the fight.

I didn't grow up with my mother, and so losing her for real was like, some sort of latent childhood, some sort of unresolved issue. When she left for real, it was sort of like, I was done.

I rummage around in artistic things from the past. If you don't understand the context, they wouldn't make any sense. I rummage around in conceptual ideas of the future, but if you don't know the source of the thinking, [it] wouldn't make any sense.

At some point, you protest too much they think you're guilty just because you're protesting.

You could have a zillion Facebook followers. Those people don't buy records. It's about a hundred to one...Record companies, they don't have any money so they see social media as the free marketing...So,...'Billy, light yourself on fire and stand upside down, and that'll market the record'. I've spent a lot of time thinking about this. I don't think people by records because of anything that happens on Facebook. They buy records cause they're friends say 'I bought this record and I love it'.

Indie world won't have me, and mainstream world treats me like an alien, but here I am still floating between these two worlds.