My parents were really encouraging. But I had to teach them the proper way you respond to an actor after seeing a play - regardless of whether you like their performance you tell them how great they are because they have to go on again the next night.

A man tells his stories so many times that he becomes the stories. They live on after him, and in that way he becomes immortal.

Interest in certain themes doesn't mandate a personal stake or personal experience of those themes. I've killed people in plays, but no one asks me what it's like to kill people.

If I had done 'Titanic,' it would have made, probably, $200,000 - worldwide. So I think my life would have been very, very similar.

One of the great tools we use in acting is the idea of immediacy, that the audience gets to see you witness something apparently for the first time, so you create a lot of tools to kind of trick yourself into making it appear something is happening for the first time.

You have to let go of stuff when you act for a while. You stay too attached to things that have worked or haven't worked, it kind of makes it harder for you to move forward. So I try to concentrate on the experience that I have and then let the public expression of it be its own deal.

From here on out, I am only interested in what is real. Real people, real feelings, that's it. That's all I'm interested in.