If I had done 'Titanic,' it would have made, probably, $200,000 - worldwide. So I think my life would have been very, very similar.

I put a lot of time and energy and thought behind what I do and the characters that I create, and I don't want to do anything peripheral that is going to make an audience see me up there on the screen rather than who I'm playing.

You have to let go of stuff when you act for a while. You stay too attached to things that have worked or haven't worked, it kind of makes it harder for you to move forward. So I try to concentrate on the experience that I have and then let the public expression of it be its own deal.

I wish I could say that when I didn't agree with a director I defer to him, but I think sometimes I'm a little self-righteous.

Being fired is something... You have to really want to be an actor after you go through something like that. Because the level of self-doubt and insecurity that creeps into your psyche is monumental.

One of the great tools we use in acting is the idea of immediacy, that the audience gets to see you witness something apparently for the first time, so you create a lot of tools to kind of trick yourself into making it appear something is happening for the first time.

From here on out, I am only interested in what is real. Real people, real feelings, that's it. That's all I'm interested in.