Performing as a musician is a lot different than performing as an actor. As an actor, you can hide behind the character in the play, and there's a director and other actors. When you're a musician, you're right there. It's sort of like being a comedian. You're giving the audience in real time something authentic from yourself. As an actor, my bullshit meter was going off like crazy at my first attempts to find my own rock star.

I have never indulged our society's misguided notion that my personal life is relevant to my work, so any reporting surrounding that is necessarily hearsay, speculation or fantasy.

When you get many opportunities early on, and you have people who have been working for a while counting on you, you have to at least pretend that you know what you're doing. So any actor that's pretending, you start to develop philosophies. Without years and years of experience, you kind of go with an attitude that you know what you're doing. And so I think right around that time, I was kind of at the peak of rigidly thinking that I knew how to work in film in a way that I wanted to. Cameron was extremely patient and generous with me.

My parents were really encouraging. But I had to teach them the proper way you respond to an actor after seeing a play - regardless of whether you like their performance you tell them how great they are because they have to go on again the next night.

All you really have when you're acting is the confidence and your ability to manage and tell a story by creating a character.

When somebody on a professional scale says "you did it wrong," it has a pretty intense impact. If you don't have some kind of opposing force to say, "that's all right, that's their opinion," or, "I may have screwed that one up but I'll do better the next time," then you're screwed.

I always end up taking people that are morally ambiguous.