You have to let go of stuff when you act for a while. You stay too attached to things that have worked or haven't worked, it kind of makes it harder for you to move forward. So I try to concentrate on the experience that I have and then let the public expression of it be its own deal.

I always end up taking people that are morally ambiguous.

One of the great tools we use in acting is the idea of immediacy, that the audience gets to see you witness something apparently for the first time, so you create a lot of tools to kind of trick yourself into making it appear something is happening for the first time.

You can find the richness in any moment, even the most seemingly bleak. To try to do a movie about that was a joyful experience. So actually, it was really the context of it that made the experience so worthwhile, rather than the actual subject matter, if that makes sense.

When you're in pajamas that are sagging in the ass because you've got a battery pack that's weighing them down, and covered in 2,000 LEDs, and your face has 150 black dots on it, and you're probably standing in six-inch heels, it is a big challenge to imagine that you're the master of the universe when the rest of your cast members are laughing their ass off at you. So there's no question that there was a very difficult task that I had, but it wasn't living up to somebody else's expectations of the story. I was just trying to do the screenplay that was written.

I wish I could say that when I didn't agree with a director I defer to him, but I think sometimes I'm a little self-righteous.

My parents were really encouraging. But I had to teach them the proper way you respond to an actor after seeing a play - regardless of whether you like their performance you tell them how great they are because they have to go on again the next night.