From here on out, I am only interested in what is real. Real people, real feelings, that's it. That's all I'm interested in.

Every time I do a movie, I think it's going to be a huge hit.

When somebody on a professional scale says "you did it wrong," it has a pretty intense impact. If you don't have some kind of opposing force to say, "that's all right, that's their opinion," or, "I may have screwed that one up but I'll do better the next time," then you're screwed.

Being fired is something... You have to really want to be an actor after you go through something like that. Because the level of self-doubt and insecurity that creeps into your psyche is monumental.

My limits are limitless. I find my limits every time I act.

You can find the richness in any moment, even the most seemingly bleak. To try to do a movie about that was a joyful experience. So actually, it was really the context of it that made the experience so worthwhile, rather than the actual subject matter, if that makes sense.

When you get many opportunities early on, and you have people who have been working for a while counting on you, you have to at least pretend that you know what you're doing. So any actor that's pretending, you start to develop philosophies. Without years and years of experience, you kind of go with an attitude that you know what you're doing. And so I think right around that time, I was kind of at the peak of rigidly thinking that I knew how to work in film in a way that I wanted to. Cameron was extremely patient and generous with me.