I thought it would be funny to go to my Korean dry cleaner and ask her about my head shot, as if it's the most important thing in the world, and as if it's something that everyone should weigh on because it's important to me.

You have to fight. You know, you don't want to fight, but you have to fight to make your show your own, to make your voice be heard. You just have to sometimes.

When I opened my mouth to sing as a kid, I kind of randomly had a really good singing voice. And so that put me on the actor track and the musicals track.

I thought it would be funny to go to my Korean dry cleaner and ask her about my head shot, as if it's the most important thing in the world, and as if it's something that everyone should weigh on because it's important to me.

By TV standards - I'm not comparing it to manual labor by any means - by TV comedy standards, it is the hardest job I will ever, ever have. There is nothing that could be harder. I mean, when you combine the amount of writing that has to be done - sharp writing - with the fact that you then take it to the street and improvise with both celebrities who have no idea what's going to happen and real people who are not actors or comedians who don't even know I'm about to talk to them... It's lightning in a bottle every time.

A lot of people in Hollywood, and everywhere pretty much, operate on fear. No one wants to get fired, so everyone's scared to take a chance. There's money involved, and there are careers and reputations on the line.

If you're just really loud, people just want - will give you what you want just to get you to shut up.