Sometimes you go up to people who look totally normal and then you talk to them for a few seconds and you are like, Oh I better get out of this, because this person is a little mentally unbalanced, and they are not going to get a joke.

Even when I was struggling and had horrible day jobs and wanted to be successful but wasn't finding my way in, I knew what I had to do. I knew I had to keep working at it and keep putting material out there, even if no one was paying me for it.

It was pop culture, entertainment, Hollywood, award shows - these are the things that really captivated me as a kid. I would watch the Oscars and every award show with my parents. I would make lists of who was going to win.

I'd be doing Oscar predictions months ahead of time, and not only for the Oscars, for the Grammys. This is just what excited me as a kid.

Sometimes you go up to people who look totally normal and then you talk to them for a few seconds and you are like, Oh I better get out of this, because this person is a little mentally unbalanced, and they are not going to get a joke.

If someone walks away from me, I just let them walk, and I move on to the next person.

By TV standards - I'm not comparing it to manual labor by any means - by TV comedy standards, it is the hardest job I will ever, ever have. There is nothing that could be harder. I mean, when you combine the amount of writing that has to be done - sharp writing - with the fact that you then take it to the street and improvise with both celebrities who have no idea what's going to happen and real people who are not actors or comedians who don't even know I'm about to talk to them... It's lightning in a bottle every time.