And then as I got older, see, I think a lot of times with comics, your life kind of permeates your act. Whatever is happening in your life is what's going on on stage. So if you're angry in your life, then that's going to be on stage. If you're looking for the guy that's just going to make you laugh for an hour and forget about, that's me.

I mean, yeah, I want to lose some weight! I'm doing the best I can.

You start realizing that maybe you're the one night a month that people have out, and they don't need to hear your political views or how dark you can get. They just want to laugh for an hour and go home. Once I wrapped my head around that, my act evolved accordingly.

I like those older theaters - the acoustics are perfect, I mean, you just have that feel of there's been a thousand shows in there and now you get to be one.

Whenever I realize I'm being a goofball, I write it down. When I release the joke onstage, I love watching the effect it has on the audience. No one wants to see someone talk who takes themselves too seriously.

I come from a working-class family in Pittsburgh, whereas 'Mike & Molly' deals with the working class in Chicago. I swear a little, but I pretty much talk the same. It's not like when you see someone like Tim Allen and he's a lot bluer onstage.

Everybody wants to be a better version of themselves - everybody. And I hope one day I can lose some weight. Maybe, who knows, I'll hire myself a trainer and a fancy cook. In five years, maybe I'll be an action hero. Then again, maybe I'll just be this guy. Who knows? But the fun part is embracing the human side of that.