Lightnin' Hopkins was something of a fixture on the Houston coffee house scene so we were witness to eccentric blues brilliance close up. Then, believe it or not, along came the wave of the English cats like John Mayall, Eric Clapton and the Stones embracing the great American art form - the blues.

One springs to mind: one of our very first gigs in a small East Texas town was not well promoted. At least, that was our conclusion. After the band loaded in and the curtain opened, we realized there was exactly one paying customer in the audience. We kind of made the best of it playing through the first set, took a break and bought him a Coke and then went on to perform for the remainder of the night. It wasn't exactly a catastrophe but it certainly stands as legendary.

Water doesn't hurt a vinyl record. Put it into a dishwasher and you're fine.

It doesn't take much to be good, but it takes a lot to be real good.

ZZ Top did get a chance to play with Lightnin' Hopkins and Jimmy Reed, there's still that one, single song we just can't shake... J.B. Hutto's "Combination Boogie".

A blown-out tube ripped some of the grind from the amplifier, throwing us into a momentary tizzy. The unusual sound led me to play unusually, and the recorded take turned out to be a keeper. Insriration can come from the most unlikely places ... keep your head on and your ears open.

Each guitar has its own character and personality, which can be magnified once the player engages in beatin' it up