ZZ Top did get a chance to play with Lightnin' Hopkins and Jimmy Reed, there's still that one, single song we just can't shake... J.B. Hutto's "Combination Boogie".

It's important to collect unusual characters. It keeps you sharp.

Ever since I was a little kid and first heard Jimmy Reed's 'Honey, Don't Let Me Go,' the blues has been in my blood.

My discussion with Keith Richards about the creative process led me to believe that there's an invisible presence of a stream of ever-flowing creativity that we overhear-all you have to do is pull up the antenna and dial it in. This presence allows you to maintain your sense of origin and move forward.

I too once belived in the heavier gauge string as a superior tone source. However, thanks to the graciousness of B.B. King I learned that a lighter-gauge string offers superior playing comfort ... try it, you may like it.

Lightnin' Hopkins was something of a fixture on the Houston coffee house scene so we were witness to eccentric blues brilliance close up. Then, believe it or not, along came the wave of the English cats like John Mayall, Eric Clapton and the Stones embracing the great American art form - the blues.

My mom took my sister and me to see Elvis [Presley] in concert when was, maybe 5 or 6, and I liked everything about it.