Well, everybody faces the fact there really aren't many records stores around to just go and browse. Maybe browse online, yet that tactile feel of flipping through a stack of vinyl remains one of life's simple pleasures.

Brian Eno and Robert Fripp's foray into some artful excursions into some ethereal electric experiments. There was a lot curious activities emerging in London, Amsterdam, and Berlin back then developing some fiercely fuzzy of synth-like effects way outside the norm which really blew the lid off things.

Sooner rather than later, any other form other than digital media will be a thing of the past. It won't vanish, but let's face it, this is seemingly the way of the future.

Each guitar has its own character and personality, which can be magnified once the player engages in beatin' it up

The rawness and the richness of music on vinyl almost went away, but it still seems to be on a lot of people’s radar, and for good reason. It does something different than more accessible means of music playing, like MP3 players and downloads and whatnot. You get in front of these archaic contraptions that go ’round and ’round.

When I was around 7 or 8 my Dad took me to a B.B. King recording session, well, that really did it. Huge and lasting impressions. After all that I pretty much knew playing guitar was something I was going to do because I just had to do it. And I did.

The blues is a mighty long road. Or it could be a river, one that twists and turns and flows into a sea of limitless musical potential.