What's happening now in Iceland is we grew and grew and grew from being one of the poorest nations in the world to being one of the richest. And then within the past 10 years Iceland discovered the stock market and it just went, went, went, went, went. I think it hit a roof and it's just crashed. Just a small percentage of the nation did a lot of damage.

[As a kid] I felt it was really weird that music schools behaved like a conveyor belt to make performers for those symphony orchestras. If you were really good and practiced your violin for a few hours a day for ten years you might be invited to this VIP elite club. For me music was not about that. It is about freedom and expression and individuality and impulsiveness and spontaneity. It wasn't so Apollonian; it was more Dionysian.

National Geographic contacted me about getting on their label, and I was like, 'Wow, I want to be label mates with the sharks and lemurs!'

I feel Icelandic people are really good at gathering together information and brain power. We're better at that than some kind of Las Vegas money gambling. I mean, I really admire the characteristics in Icelandics, this adventureism. We are famous for it. We are addicted to risk to the point of being foolhardy. And I think that is great in brain power stuff.

When I was a teenager in Iceland people would throw rocks and shout abuse at me because they thought I was weird. I never got that in London no matter what I wore.

I don't like records that are the same from beginning to end, that are too styled and slick. Everything is so designed and airbrushed and Botoxed, it makes us think, 'Oh, everybody's perfect except me. Everything's smooth except me.' But nothing is smooth.

I'm a fountain of blood. In the shape of a girl.