Well that's what Andy wore to bed. You know, the oxford button-down Brooks Brothers shirt that he's been wearing all day and his big long socks. He'd just take off his jeans and his boots and go to bed. Then he'd change into a fresh ensemble after he had breakfast the next morning.

I mean when the book first came out it was not a bestseller, but it got good reviews and at that point I was done writing about Andy, done talking about Andy....but now, I kind of love it. All these smart, attractive young people think I'm cool! So here I am a guy in his sixties with all of these interesting friends in their twenties. It's very stimulating and keeps me very much in the present.

One thing about Andy Warhol that was remarkable and also key to his widespread appeal is that he was so open! He would get on the phone and talk to the kid who called to say he was a fan - you know, Andy would walk from his house every morning down to the Factory carrying a bunch of Interviews - people would stop him and he would sign them, and what have you.

It's been so long now and so much has happened that I am able now to look back with much less emotion and my take on Andy as an artist now comes down to a simple sentence: he made religious art for a secular society which is why it has so much appeal.

Well that's what Andy wore to bed. You know, the oxford button-down Brooks Brothers shirt that he's been wearing all day and his big long socks. He'd just take off his jeans and his boots and go to bed. Then he'd change into a fresh ensemble after he had breakfast the next morning.

He [Andy Warhol] engaged people and I think all of that is what helped keep him keyed in to the times beyond all of the celebrity stuff that was going on around him. He was much more like a fan than a celebrity himself.

He [Andy warhol] went out every evening to five or six parties with a tape recorder in one pocket and a camera with extra film and batteries in the other pocket, constantly recording and photographing everyone he came across.