The confessional singer-songwriter movement of the 1970s was in full swing, and Bob Dylan's emotional album [ Blood on the Tracks] resonated with the times. There would be other hits, but never the same alchemy of emotion and time.

[Bob Dylan] was rarely tender and seldom reached out to anticipate another's needs.

Every singer has three or four or five techniques, and you can force them together in different combinations. Some of the techniques you discard along the way, and pick up others. But you do need them. It's just like anything. You have to know certain things about what you're doing that other people don't know. Singing has to do with techniques and how many you use at the same time. One alone doesn't work. There's no point to going over three. But you might interchange them whenever you feel like it. It's a bit like alchemy.

You just don't wake up one day and decide that you need to write songs.

As he weeps to wicked birds of prey, who pick up on his bread crumb sins, and there are no sins inside the Gates of Eden.

I've been up the mountain and I had a choice. Should I come down? So I came down. God said, Okay, you've been up on the mountain, now you go down. You're on your own, free. Check in later, but now you're on your own.

I'll let you be in my dreams if I can be in yours.