You get to use everything you learned in movie business. You talk to actors, if you do it right - and I haven't always done it right - you should be shaping the material all the time. And the other thing is, you get all the blame when you direct and it doesn't work. You get slammed. So that's another reason to know what you're making, why you're making it, and make it the way you want.

Comedy can be destructive, and still very, very funny. But if I can do something that is fun to watch and critical of the world but not wantonly destructive, I pursue those kinds of ideas more. The world needs less destruction. And destruction is kind of “easy,” too.

In the end, the thing that really stays with you is not that you were clever enough to connect a sketch to another sketch, but what really sticks with you is when you just have an incredible moment happen, or execute a really funny idea.

Don't say you're going to stop eating red meat when you like red meat.

My godfather was a Chicago policeman, and I've always looked at law enforcement as a challenging and interesting job.

Everybody needs some good sketch comedy.

Comedy is tragedy plus timing.