Acting in particular is a fun job when you have a good script. I don't know about acting when you don't have a great script. I'm gonna say that's not a great job, it's kind of a dumb job. But when you have a good part in a good script, it's the best job, in a way.

You get to use everything you learned in movie business. You talk to actors, if you do it right - and I haven't always done it right - you should be shaping the material all the time. And the other thing is, you get all the blame when you direct and it doesn't work. You get slammed. So that's another reason to know what you're making, why you're making it, and make it the way you want.

I've always tried to have a rule that you shouldn't make fun of innocent people who can't defend themselves. I find that a little unseemly and distasteful. But nothing's really sacred to me.

I felt my personal life was not what it should be. It had nothing to do with Mr. Show - I'm monstrously appreciative and understand what it did for me and to me - but after four years, I just felt like I needed to do something else. I guess I wanted to be in a different place, physically.

You can't guarantee that you'll make a great movie, but you can make a greater effort than I made at trying to see that the basics are there.

Comedy is tragedy plus timing.

I learn things in a backward way. I learn all those limitations, and slowly my brain soaks them up, and if things go right, you just, in an organic way, translate your ideas into those templates. That's the way I perceive the process happening.