The stockbrokers, their hair isn't long and full of leaves and stuff like that, so they don't catch your eye. They're wearing the tie-dye, so they don't stick out, but you don't see them. The ones you see are the ones with the leaves in their hair, the matted hair and all that kind of stuff.

The stockbrokers, their hair isn't long and full of leaves and stuff like that, so they don't catch your eye. They're wearing the tie-dye, so they don't stick out, but you don't see them. The ones you see are the ones with the leaves in their hair, the matted hair and all that kind of stuff.

More fun than a frog in a glass of milk.

The roughest part for me when I'm writing a song is staring at a blank page. Where am I going from here? If you're a songwriter, you have to do that every time you start a song.

I still retain a bit of a child's focus on things, so we [with my sister] figure if we're going to write books, our best shot is to write children's books, because we relate pretty readily on that level.

We have cultural depth. We get all kinds of stuff to chew on, to live on.

Your parents were always trying to get you to be careful when you were a kid, and that's all pervasive in this society.