The ones that catch your eye are the ones that are basically people who live on the road and follow us around. They're a small percentage of the audience, but they're quite visible. The ones who aren't visible are the stockbrokers, lawyers, doctors, housewives.

I have not made many conscious efforts to "re-imagine" songs. I just let them happen the way they're going to happen.

The bulk of my input comes from my peers.

What if all tomorrow brings is ashes and glass, and I can't tell you child, 'this too shall pass.' If all the world were windswept, cold and gray. And in the end there's nothing left to say.

The meetings can be a lot of fun or they can be frustrating.

Dynamic benign neglect.

Sometimes it's a huge amble, where you're just on top, on the lid, and it's not going anywhere, and sometimes you walk on the stage and from the first note, the afterburner kicks in and you can't stop it.