If I sing "you broke my heart, you left me flat," everyone knows exactly what that means - they know the story. But if I sing a line that's plaintive or wailing, people can experience their own set of emotions and their own story. Each of us might give that phrase a different meaning. It's open to interpretation, and one song becomes a thousand songs. I love that.
Bobby McFerrinI try not to "perform." I try to come on stage and be myself, to sing the way I would in a room by myself, to interact with the audience the way I would relate to them if we were in my kitchen drinking tea and making up silly songs. Maybe the way to get past the fear of being ourselves is simply to try it more often.
Bobby McFerrinI think play and joy and feeling good deserve more of our time. I don't see why adults are supposed to grow out of those things. If I have a mission it's to make everyone who comes to my concerts leave feeling a heightened sense of freedom to play, sing, and enjoy themselves.
Bobby McFerrinI like a very dark house, just black. I sit there and just think. Once I'm still and quiet inside, I'll begin. It's very personal; it has to be. One song may be Bach, the next blues, a song from TV, or a nursery rhyme or jazz piece.
Bobby McFerrinIn every life we have some trouble, but when you worry you make it double. Don't worry. Be happy.
Bobby McFerrinWhen we listen to improvisational jazz, or solo classical violinists, the way they phrase and inflect melodies feels vocal, like theyโre talking to us. When I was figuring out how to perform solo, I wanted to move back and forth between bass riffs, melody, and harmony, so I often used sounds instead of โ or alongside โ the words of a song. I found that if I sang a line using the consonants, vowels, shadings, and inflection we recognize as human language sounds, people responded as if I were talking to them.
Bobby McFerrin