When we listen to improvisational jazz, or solo classical violinists, the way they phrase and inflect melodies feels vocal, like theyโre talking to us. When I was figuring out how to perform solo, I wanted to move back and forth between bass riffs, melody, and harmony, so I often used sounds instead of โ or alongside โ the words of a song. I found that if I sang a line using the consonants, vowels, shadings, and inflection we recognize as human language sounds, people responded as if I were talking to them.
Bobby McFerrinWhen we're doing our lessons, the teacher doesn't say, 'Ready, set, work,' They say, 'Ready, set, play,' and I always took that word seriously.
Bobby McFerrinWhenever I'm onstage, I try my best not to think that I'm performing. It's simply another part of my day.
Bobby McFerrinIf I sing "you broke my heart, you left me flat," everyone knows exactly what that means - they know the story. But if I sing a line that's plaintive or wailing, people can experience their own set of emotions and their own story. Each of us might give that phrase a different meaning. It's open to interpretation, and one song becomes a thousand songs. I love that.
Bobby McFerrin