I believe a lot in gangsta rap, I see in it a lot of positive things as it is. I believe it is only about doing politicization work. Revolutionary change will come from there, it won't come from conscious rap.

Power, as it is, has a whole apparatus operating that goes about cutting down, closing doors, so that protests, exercises, platforms, and organizations, such as the Zapatistas, can't grow further in the barrio.

I think in terms of the themes that I have worked on most is establishing questions of race in the context of Latin America. This is a theme that makes uncomfortable a lot of people, and it obviously makes the Latin American Left uncomfortable.

On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.

Every day of my life I have been in situations, not just in Mexico, in the US too, in which I identified the form of operation as racism. There are situations in which a smile, a laugh, a greeting are racist exercises.

The countries made themselves independent from Spain, but only changed owners, who stayed in positions of power were the criollos, the Spanish descendants who were the new administrators of power and wealth in the country. And those families for generations have maintained themselves in positions of power. Latin America founded itself on everyone being equal, but in reality we aren't.

I am conscious of how my body signifies in every space. In every place of the world our body has a different significance.