I believe a lot in gangsta rap, I see in it a lot of positive things as it is. I believe it is only about doing politicization work. Revolutionary change will come from there, it won't come from conscious rap.

Power, as it is, has a whole apparatus operating that goes about cutting down, closing doors, so that protests, exercises, platforms, and organizations, such as the Zapatistas, can't grow further in the barrio.

I believe that music offers us possibilities for analysis, at least in my case, more profound in many ways, but at the same time that profundity is an accessible profundity that has atemporal repercussions.

European militants recognize Mumia Abu-Jamal, and the Mexican militants followed their example and legitimated his work because the Europeans said, "Hey, Mumia Abu-Jamal is relevant in the US. I, the European, am telling you. I am your political guide, your icon, your mentor for political references. I am telling you that you should support the relevant causes."

I believe in terms of the work that I do, in establishing dialogue about race relations in Latin America, steps on one of the most relevant themes today.

When you arrive really inside the discussion of race, practically they institute a Mexican-ness, a Latin-ness, a racial community that just isn't true. So, we know who are the people that have the majority of power, access and privileges in Mexico, and they are white Mexicans.

The racial question, and thus class struggle, of course, I think they are processes which necessarily are intersecting all the time. I understand that there are moments they disassociate, but in the end they are things that go walking together practically all the time.