I believe a lot in gangsta rap, I see in it a lot of positive things as it is. I believe it is only about doing politicization work. Revolutionary change will come from there, it won't come from conscious rap.

We should remember what a rapper like Tupac Shakur was doing, to a certain degree, who came from an experience of politicization very close to being a "Panther Baby". He knew, he came from that experience of the Black Panthers, and accounting for all his contradictions and process of growth, he achieved politically through gangsta rap things that no conscious rapper has achieved, such as establishing political, ethical, and moral codes between Crips and Bloods in the United States.

The racial question, and thus class struggle, of course, I think they are processes which necessarily are intersecting all the time. I understand that there are moments they disassociate, but in the end they are things that go walking together practically all the time.

On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.

I believe the advantage music has is the capacity to multiply itself, the capacity to keep itself in space and access itself at different times and in different processes and to make profound analyses, analyses that through musicality would be able to connect with people who don't necessarily have the energy or wish in any exact moment to connect to well-read or critical analysis.

We have to remember that the experience of gangsta rap as such in its foundation is an anti-systemic experience primarily. And it is an anti-systemic experience that is not in some cases politicized, but in general results in a much more transgressive, much more uncomfortable music for the structures of power, than conscious rap or political rap.

I think that in the colonial imaginary of the average Mexican, in how it drives us, the economic dependence on the US, and in some cases cultural dependence, is quite palpable, very strong.