The Latin American Left, the criollos, direct descendents of Spaniards, they don't want to accept that they are the whites of Latin America. They don't want to talk about race. The discussion for them is based on class struggle, rich against poor, but doesn't offer the possibility of a dialogue about racial questions.

On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.

Every day of my life I have been in situations, not just in Mexico, in the US too, in which I identified the form of operation as racism. There are situations in which a smile, a laugh, a greeting are racist exercises.

When you arrive really inside the discussion of race, practically they institute a Mexican-ness, a Latin-ness, a racial community that just isn't true. So, we know who are the people that have the majority of power, access and privileges in Mexico, and they are white Mexicans.

It isn't like we don't work with you because you are white, or not want anything to do with you. It is more like you have to check your privileges, the whites have the responsibility to put themselves at attention with the form they operate in with people of color and try to always lay out that pattern to connect with people and say, "I am conscious of my privileges and I am accounting for myself."

The racial question, and thus class struggle, of course, I think they are processes which necessarily are intersecting all the time. I understand that there are moments they disassociate, but in the end they are things that go walking together practically all the time.

I believe a lot in the subject of the power our own bodies have as marginalized beings to be able to change the sense of things.