[Film Loulou] is about Loulou, a ghost from the 1920s. She was a flapper and she was a dancer, had kind of a free lifestyle, then she ended up marrying a man who wanted to kind of keep her in the house and control her environment a little bit more and so she committed suicide.

I grew up knowing about [Ted] Bundy because I grew up in Aspen and that is one of the places he kept escaping from. I remember one of the times he had escaped the Pitkin County Jail, my stepfather sat outside with a shotgun because everyone knew Bundy had escaped and so everybody was on alert.

[Film Loulou] is about Loulou, a ghost from the 1920s. She was a flapper and she was a dancer, had kind of a free lifestyle, then she ended up marrying a man who wanted to kind of keep her in the house and control her environment a little bit more and so she committed suicide.

There is a group of us that met through Howard Klein's class in Los Angeles. Howard Klein is a prominent acting teacher. We got together and did this short Night Music that was such an amazing experience, Guy and I were thinking, 'Okay, what do we do next?' So he wrote this next movie of his, Loulou.

I think what it is a condition of human - of love. How important that is and integral that is too everybody even a ghost.

I think my favorite scenes [in Night Music] are the ones that kind of happen when the handsome Englishman shows up.. He doesn't quite figure out she is from the 1920s because he doesn't really figure out she is a ghost, because she has manifested into physical form.

They [people who were actually CSIs ] try to be as accurate as possible as far as like swabbing and getting it into the centrifuge and whatever all that takes, but I know that definitely we tend to get a case solved all in one week when in reality it takes years to solve one, I think.