It's all kind of just all of us coming together and all lending a hand on what we think will make it a good movie.

[Film Loulou] is about Loulou, a ghost from the 1920s. She was a flapper and she was a dancer, had kind of a free lifestyle, then she ended up marrying a man who wanted to kind of keep her in the house and control her environment a little bit more and so she committed suicide.

I think everybody knows that you know it's a stretch, but the good part of that though is since it's such a popular show [CSI: Miami] - all these CSIs - I have had a lot of people come up to me and say that they were going to go into that field.

My character [in Ted Bundy] was unaware of all the murders that were being committed by him, so I kind of tried to keep myself out of it and kind of keep an innocent point of view from it. The hard scenes for me were the sex scenes just because there's like sexual deviance going on and there was stuff that he want her to do and that was really disturbing.

In the '60s and '70s people were a little bit more naive and trusting and got in people's cars without thinking about it.

It's all kind of just all of us coming together and all lending a hand on what we think will make it a good movie.

I think as far as the Miami one - I don't speak for the other two - but as far as the Miami one goes, I just think that there is a level of like glamour to it and you see sexy people, things happening to the rich people. It kind of takes you to a different world. I think that is kind of part of the success.