There is a group of us that met through Howard Klein's class in Los Angeles. Howard Klein is a prominent acting teacher. We got together and did this short Night Music that was such an amazing experience, Guy and I were thinking, 'Okay, what do we do next?' So he wrote this next movie of his, Loulou.

You know when you are doing a movie like [Ted Bundy] you try to as much as you can keep it upbeat when you are not working on the scene, so you cannot totally get disgusted and lost in it and also from my point of view I was ignorant to it all what was kind of going on.

There are some wonderful parts in the movie [Loulou] where Loulou used to be a dancer and a cabaret. To see her kind of be able to interact with another human being so isolated for so long, it's just neat to see that being played out and how fun and explore that.

I think my favorite scenes [in Night Music] are the ones that kind of happen when the handsome Englishman shows up.. He doesn't quite figure out she is from the 1920s because he doesn't really figure out she is a ghost, because she has manifested into physical form.

You'll have a large amount of people going into DNA.

They [people who were actually CSIs ] try to be as accurate as possible as far as like swabbing and getting it into the centrifuge and whatever all that takes, but I know that definitely we tend to get a case solved all in one week when in reality it takes years to solve one, I think.

I auditioned for Ted Bundy and the director Matthew Bright and we really hit it off. He cast me as Bundy's girlfriend.