I would say that I am proud of my performance from Cracker and I think a lot of that was due to the writing was just so good. It's so rare that you get such good writing these days but it was awhile ago.

[Film Loulou] is about Loulou, a ghost from the 1920s. She was a flapper and she was a dancer, had kind of a free lifestyle, then she ended up marrying a man who wanted to kind of keep her in the house and control her environment a little bit more and so she committed suicide.

I think it was just part of the storyline [in CSI: Miami] and the producer called me beforehand and said, 'Listen, I am going to kind of do something with your character that looks like she might get fired, but I just want to reassure you that we're going to have you back,' and I thought, 'Oh god, I hope that is true.'

It's all kind of just all of us coming together and all lending a hand on what we think will make it a good movie.

I think as far as the Miami one - I don't speak for the other two - but as far as the Miami one goes, I just think that there is a level of like glamour to it and you see sexy people, things happening to the rich people. It kind of takes you to a different world. I think that is kind of part of the success.

I would say that I am proud of my performance from Cracker and I think a lot of that was due to the writing was just so good. It's so rare that you get such good writing these days but it was awhile ago.

We have people who were actually CSIs on set [CSI: Miami], so definitely I have learned a lot just having them around.