I feel like my career has always been a series of collisions and accidents. Being in the right place at the right time. Having the right haircut. It's so mad to think that it happened in the way that it happened.

I like the big bombastic singers, but I'm also very drawn to what I call character singers. They're people who obviously aren't very huge singers, but they've got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects.

You're lucky if you reach the point where you go, "OK, I have a wonderful life ...I fly around the world, stay in beautiful places, people are generally quite sweet to me, what's to complain about?" But I think you have to get there... And it's taken me the best part of 54 years to reach that point where I'm like, "I'm very lucky, I'm lucky, I'm blessed" - all of those things. I wish I could impart that to other people but I think when you're young, you just don't listen.

I'm very uncomfortable with the idea of vaginas. They bother me in the way that spiders bother some people.

A lot of what I've been learning in the last two years is due to therapy - about my sexuality, why things go wrong, why relationships haven't worked. It isn't anything to do with anybody else; it's to do with me.

For me with "The Apprentice," it kind of blew out my business brain. I don't really think of myself as a business person. I think of myself more as a creative-type person, but it's quite nice to be challenged physically and mentally.

I remember going onstage on Broadway in this Leigh Bowery thing for a track like "Ich Bin Kunst." I've got breasts, this latex dripping down on my head, and I come out in a box. I just remember the audience looking really horrified because Rosie [O'Donnell] was trying to sell the show as sort of Pippin and Annie. She was saying it's a family show.