There's a constant chatter in our house, whether it's giggling or screaming or crying or banging. I love it. I love it. I love it. I hate it when they're gone. I hate it. Maybe it's nice to be in a hotel room for a day - 'Oh, nice, I can finally read a paper.' But then, by the next day, I miss that cacophony, all that life.

When I first moved to L.A., I discovered Roy London. I didn't know anything about the arts, the profession; I had no technique, I knew nothing, I'm fresh from Missouri. I sat in on a few classes, and they just felt a little guru-ish and just didn't feel right to me. Until I met Roy.

I didn't understand this idea of a God who says, "You have to acknowledge me. You have to say that I'm the best, and then I'll give you eternal happiness. If you won't, then you don't get it!" It seemed to be about ego. I can't see God operating from ego, so it made no sense to me.

One of the greatest, smartest things I ever did was give my kids Angie as their mom. She is such a great mom. Oh, man, I'm so happy to have her.

Get into something that's really personal that means something to you, where you have something to say and is something really individualized. I wish I was more aware of that when I started my career instead of doing a few things I was told would be good for me. And they weren't, because it left me empty, so I didn't do a good job anyways. I think that's what's key to what we do: It's got to be personal.

You make yourself what you are. You have control of your own destiny.

You shouldn't speak until you know what you're talking about. That's why I get uncomfortable with interviews. Reporters ask me what I feel China should do about Tibet. Who cares what I think China should do? I'm a f***ing actor! They hand me a script. I act. I'm here for entertainment, basically, when you whittle everything away. I'm a grown man who puts on makeup.