With sons and fathers, there's an inexplicable connection and imprint that your father leaves on you.

There's a constant chatter in our house, whether it's giggling or screaming or crying or banging. I love it. I love it. I love it. I hate it when they're gone. I hate it. Maybe it's nice to be in a hotel room for a day - 'Oh, nice, I can finally read a paper.' But then, by the next day, I miss that cacophony, all that life.

Actions speak louder than words, and it's no more true than with your kids.

By nature, I keep moving, man. My theory is, be the shark. You've just got to keep moving. You can't stop.

When I first started, they were trying to get me into sitcoms - I think because I had that kind of Wonder Bread look and my hair always went into place. I kept saying, 'I'm not good at sitcoms. I don't know how to do that.'

When I first got out to Hollywood, they were pushing me for sitcoms, and I didn't really have an interest in them. I wanted to do films and slowly worked that way. And then it became, I guess, this curse of the leading man.

I dare make those comparisons, but we often said 'the making of' would be as interesting if not more interesting than the film.