Fatherhood is the best thing I ever did. It changes your perspective. You can write a book, you can make a movie, you can paint a painting, but having kids is really the most extraordinary thing I have taken on.

I know when I go outside, there'll be a van or two and they'll probably follow us four out of seven days a week, trying to get something. But I'm just going across town and I know they're just wasting their day, so it doesn't bother me anymore.

How many stories have you read that aren't true, stories about me and Angie being married or fighting or splitting up? And when we don't split up, there's a whole new round that we've made up and we're back together again!

Jesse [James] was known as a kind of Robin Hood character and also it was known that his exploits were somewhat dubious - however, he perpetuated this myth. Our film [The Assassination of Jesse James] really takes place at the end of all that, the last year of his life, at the end of all that celebrity.

You know I've been in these tabloids for years now. And at some point you just become a Zen master of it all. Most of these stories, you get probably 2 percent real fruit juice and the rest is just garbage with no nutritional value.

When I first got out to Hollywood, they were pushing me for sitcoms, and I didn't really have an interest in them. I wanted to do films and slowly worked that way. And then it became, I guess, this curse of the leading man.

I come from the belief that all good films find their time whether it's on opening week or sometime later. That's certainly true with some of my favourite films that might relate to this [The Assassination of Jesse James] film in terms of cadence like Pat Garrett & Billy the Kid, or McCabe & Mrs Miller or Days of Heaven. I found them 10 to 20 years after they were made.