I suppose if it has a practical purpose, I appreciate a pat on the back. I suppose it's rewarding, ultimately.

While green-screen work, find a way to stay true to whatever it is that it takes to act a scene out, and make sure that you use your imagination as best as you possibly can, still stay loose, and still allow yourself the liberty of doing what you need to do as an actor, and then work within the confines of what is actually possible.

To swing or not to swing? Swing.

I haven't been one since I did a film called (coughs) Encino Man (laughing). After two or three runs with Pauly Shore, I had enough. Watching this film in 3D as far as rollercoasters go really fills it for me.

I recently watched Peter Brook's Lord of the Flies, and it wasn't a favorite film. Then I saw the one that was made in 1990, which in my opinion didn't match up to the original.

I would act whether or not I was paid. I would be involved in ensemble groups. I would have the desire to tell stories.

I just rely on the text to speak for itself and then speak it as I believe it to interpret it, and then just know that the rules of the world that we're creating allow for things to come to life, and then just trust in the process of making a film. Hopefully we'll make a sequel, because if we do, we had such a great time as an ensemble, I think the best thing to do would be to just take the whole cast back. This is Iain's idea and I agree with it. Just reincarnate all the characters and put them back into the world. There's no rules. Why couldn't we do that?