Parody is homage gone sour.

To die quickly in one's eighth decade at the very top of one's powers is an enviable end, and not an occasion for mourning.

Parody is homage gone sour.

It is in the nature of the New Yorker to be as topical as possible, on a level that is often small in scale and playful in intention.

Wars and elections are both too big and too small to matter in the long run.

The guns of the big events rumble through our pages, but the tiny firecrackers are constantly hissing and popping there as well; it appears that much of my life as a journalist has been devoted to sedulously setting off firecrackers.

Not a shred of evidence exists in favor of the idea that life is serious.