I have to go with Data's makeup, because that was basically every day, 10 months out of the year, for seven years. There were only a couple of days that I had to endure for Dr. Soong.
Brent SpinerLike, she had a caterer, she had wardrobe people, she had two makeup artists... I mean, we have makeup and we have wardrobe, but Felicia [Day] was, like, on it. She had two cameras operating, sets, extras everywhere. It was unbelievable. I don't know what her budget was or is, but she had sponsors for her show, and we don't have a sponsor yet, so basically, the difference is, our moms make our costumes.
Brent SpinerI think it's the business part of the word show business that causes me the most concern.
Brent SpinerIt was a fabulous experience shooting [in the Aviator], working with Leo [DiCaprio] and Danny Huston in the scene. It was great. I think what was most eye-opening about it was that [Martin] Scorsese was just like any good director you work with.
Brent SpinerInitially I objected to the Data makeup. I said, "Why do I need this makeup? Why can't I just look like me?" In fact, I said to Gene Roddenberry, "Don't you think that by this time in history, they would've figured out how to make skin look like skin?" And he said, "What makes you think that what you have isn't better than skin?" And I went, "Um, okay."
Brent SpinerBasically, my deal is that I choose roles based on three criteria. One is the role, obviously, if it's something that speaks to me. Two is, are they gonna pay me? And three is, who am I gonna work with? And, really, if one of those is there, I'm pretty likely to do it, but it's particularly important to me who I'm going to work with, 'cause that's part of the joy.
Brent Spiner