That job [on Out to Sea], more than any I've ever done, I couldn't wait to get to work in the morning. And not only that, but I had a great part. So it was just beyond fun on every level.

I like to think of myself as the Rutger Hauer of this show Star Trek: The Next Generation. But then I like to think of myself as Rutger Hauer in real life: strikingly handsome, irresistible to women, an intergalactic enigma.

Like, she had a caterer, she had wardrobe people, she had two makeup artists... I mean, we have makeup and we have wardrobe, but Felicia [Day] was, like, on it. She had two cameras operating, sets, extras everywhere. It was unbelievable. I don't know what her budget was or is, but she had sponsors for her show, and we don't have a sponsor yet, so basically, the difference is, our moms make our costumes.

[The Aviator] came about through John Logan, who I've been friends with for many years.

I got Greg Aronowitz, who does [ Felicia Day] sets, to do mine as well, and he's just amazing. He can work miracles with nothing.

Harry [ Hannigan] and Chris [Ellis] are sitting there while we're doing [ Fresh Hell], and Chris is directing, obviously, but if we start fooling around a little bit, Harry comes in, and he's got some addition that makes it even funnier. But we start with a complete script.

Can't argue with Gene Roddenberry. He was a pretty brilliant guy.