[Out To Sea] was like a dream come true for me, because I got to work with Jack [Lemmon] and Walter [Matthau], who were unbelievable.

I think I was technically uncredited as Local #1, because there were three of us. But I had the most lines [in My Sweet Charlie].

People think that being on Star Trek is career suicide, but it's really just the opposite

Basically, my deal is that I choose roles based on three criteria. One is the role, obviously, if it's something that speaks to me. Two is, are they gonna pay me? And three is, who am I gonna work with? And, really, if one of those is there, I'm pretty likely to do it, but it's particularly important to me who I'm going to work with, 'cause that's part of the joy.

I got Greg Aronowitz, who does [ Felicia Day] sets, to do mine as well, and he's just amazing. He can work miracles with nothing.

Dana Carvey is hilarious. He's a really, really funny, talented guy. You know, I can't think of anything I've ever done that I regret doing, and I certainly don't regret doing Master Of Disguise, because I got to hang around Dana.

I did a couple of little Off-Broadway things, but my first Broadway show was A History Of The American Film, written by Chris Durang. Swoosie Kurtz was one of the stars. It was a wonderful show. It closed in 40 performances. I think it was kind of ahead of its time.