I think I was technically uncredited as Local #1, because there were three of us. But I had the most lines [in My Sweet Charlie].

I've worked with some great people [in Star Trek], and I was paid handsomely, and it was a nice role. So the whole experience was positive for me.

We were kind of never one of CBS favorites [with Threshold], even though we'd gotten really good reviews for the pilot. We were on at, what was it, 10 o'clock on a Friday night? That's kind of where you bury a show if you don't want it to last. But, wow, what a cast, huh? You could never get that cast together again.

Actually, I had a really nice part in that movie [Ladies And Gentlemen, The Fabulous Stains]. I mean, I have, like, one second in the final-cut version, where I say "You're fired" to Diane Lane. That's about all you see of me.

And the basic sort of thrust of Star Trek being about equality and tolerance and things I believe in deeply.

As I get older and I get more of this dialogue and I lose more and more brain cells, it really does become the most difficult part of the job!

I really enjoyed doing that [Law & Order: Criminal Intent (2004) - "Graham Barnes"]. I got to work with Margaret Colin, who was a blast to work with, and a wonderful actress, and Taylor Roberts. She was fantastic. And getting to work with Vincent D'Onofrio, who's amazing. But I loved the characters of the parents, these sick psychiatrists.