We had lunch that day [with Chris Ellis], and I was talking about this idea. I toyed with it a little bit on Twitter in story form at one point. And he thought it was a great idea, and he thought, "Well, let's bring my friend Harry Hannigan in, who's a wonderful writer, and let's see if we can put something together."

I think Rick Berman just called me and asked me if I wanted to do the show [Star Trek: Enterprise], and he said they'd write an arc if I'd do it.

I think it was somewhere around age 3 when I fell down the stairs at my house, and I got up and did a Jerry Lewis impression and got a big laugh. And I thought, "Oooh, I like that. I think I need to do this for a living!"

That job [on Out to Sea], more than any I've ever done, I couldn't wait to get to work in the morning. And not only that, but I had a great part. So it was just beyond fun on every level.

Obviously we're doing a comedy [Fresh Hell], and our intent is to entertain, but we're also really aware and trying to stay aware of the subtext of what it's like to reach a certain age and be dismissed, basically, from the fraternity you've always wanted to be a part of, and the desperation involved in trying to claw your way back into it.

I think I worked an average of about 10 minutes a day [in Big Bang Theory series]. It took longer to get to the studio than I actually worked. So I regard the driving there as the actual job. The work itself was just fun.

I think I was technically uncredited as Local #1, because there were three of us. But I had the most lines [in My Sweet Charlie].