The one on Fresh Hell is a little easier, because we make it up. It's a strange kind of hybrid of the real me and... Well, obviously it's me standing there, and it's my voice and my face, but it's also kind of filtered through Harry Hannigan's take on the character, the one he's writing.

I was, like, "Wow, is this ever going to happen again? Am I ever going to work with another bunch of people I get along with this well?" And then, sure enough, Threshold was just a great bunch of people, and I thought, "Hey, I could hang with these people for a long time!" But, unfortunately, it was 13 episodes and we were out of there.

When I go to the old folks' home, I'm gonna be sitting in a rocking chair, telling everybody how I worked with Jack [Lemmon] and Walter [Matthau].

I don't know you could do a whole film about Dr. Okun from Independence Day.

One of the things about working on Star Trek that was always so great was that we all got along as well as we did. We really became family.

I try not to make plans. Because, even the best laid plans etc. etc.

I did learn a lot from [ Felicia Day], though, and I was able to usurp some of her talent.