I do know that when I look around in show business, I see a lot of people who were in my drama class in high school.

Harry [ Hannigan] and Chris [Ellis] are sitting there while we're doing [ Fresh Hell], and Chris is directing, obviously, but if we start fooling around a little bit, Harry comes in, and he's got some addition that makes it even funnier. But we start with a complete script.

I try not to make plans. Because, even the best laid plans etc. etc.

It seemed like an interesting movie [Independence Day], and I thought I had a take on the part that was going to be unique. That doesn't happen to me very often.

Voice acting is about the easiest thing to do. You roll out of bed, throw your clothes on that you had on the night before, you go into the studio, and nobody cares, just as long as you can speak.

I did a great show Off-Broadway called Leave It To Beaver Is Dead that was at the Public Theater in New York. It was written by Des McAnuff, who's an illustrious director now, and it starred... Well, I was in it, Mandy Patinkin, Dianne Wiest, Saul Rubinek, and Maury Chaykin. It was an amazing show. But it was definitely ahead of its time, and people didn't quite get it.

I think we're all fans, and I understand the whole world of fandom, because I am a fan.