The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young - I think I'm 28 years old in that - and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.

In my heart, I've never left Brazil.

[Fan In Lobby from Stardust Memories] that was just after The Dain Curse. My other big uncredited role from back then.

It's fun to do something different. And there are things you can do in a small palate that you can't necessarily do in a larger role. You can go a little further and do things you could never pull off for any length of time, but you can do for the short run.

Timing is everything, as you know.

It was kind of an amazing class. I went to the Strasberg Institute in New York for a little while after I got there, and I've never seen anybody who was in any of my classes there ever again. I mean, that's not to say they didn't become somebody. I'm not sure. I mean, Sam Jackson could've been in my class, for all I remember.

The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young - I think I'm 28 years old in that - and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.