I like to think of myself as the Rutger Hauer of this show Star Trek: The Next Generation. But then I like to think of myself as Rutger Hauer in real life: strikingly handsome, irresistible to women, an intergalactic enigma.

Like, she had a caterer, she had wardrobe people, she had two makeup artists... I mean, we have makeup and we have wardrobe, but Felicia [Day] was, like, on it. She had two cameras operating, sets, extras everywhere. It was unbelievable. I don't know what her budget was or is, but she had sponsors for her show, and we don't have a sponsor yet, so basically, the difference is, our moms make our costumes.

Timing is everything, as you know.

Rent Control is not a terrible movie, certainly not for the budget they had. And, again, it's such an '80s kind of thing.

Pierre [from Dude, Where's My Car?] could be the best thing I've ever done. When you distill it down to a minute and a half of work, that may be my finest effort.

John Logan was kind of wrapping up - "Well, thanks for coming in..." - and I thought, "Oh, God, this is over and I'm out of here, and I really don't want to leave."So I said, "Can I ask you a question?" He said, "Sure." "What movie do you think you've seen more than any other movie?" And he said, "Wow, let me think about that. I guess probably The Searchers." And I said, "Well, oddly, that's the movie I've seen more than any other movie." And I wasn't just BS-ing. It's true. It's my favorite movie.

I really enjoyed doing that [Law & Order: Criminal Intent (2004) - "Graham Barnes"]. I got to work with Margaret Colin, who was a blast to work with, and a wonderful actress, and Taylor Roberts. She was fantastic. And getting to work with Vincent D'Onofrio, who's amazing. But I loved the characters of the parents, these sick psychiatrists.